Thursday, December 15, 2011

Orange Chicken

Sauce:

1 cup water

1/2 cup orange juice

1/4 cup lemon juice

1/3 cup rice vinegar

2 1/2 tablespoons soy sauce

1 tablespoon grated orange zest

1 cup packed brown sugar

1/2 teaspoon minced fresh gingerroot

1/2 teaspoon minced garlic

2 tablespoons chopped green onions

1/4 teaspoon red pepper flakes, more if you want it spicier

3 tablespoons cornstarch

2 tablespoons water

Chicken:

2 lbs boneless skinless chicken breasts

1 cup all-purpose flour

1/4 teaspoon salt

1/4 teaspoon pepper

3 tablespoons olive oil

Pour into saucepan water, orange juice, lemon juice, rice vinegar, and soy sauce; and set over medium-high heat. Stir in orange zest, brown sugar, ginger, garlic, red pepper, and chopped onion. Bring to a boil. Remove from heat, and let cool 10 to 15 minutes.

Cut chicken into pieces. Don’t make them too small or they will be too chewy. Place chicken pieces into a resealable plastic bag. When contents of saucepan have cooled, pour 1 cup of sauce into bag. Reserve remaining sauce. Seal bag, and refrigerate for two hours. It will still work if you don’t have time to let it marinate, though.

In a bowl, mix the flour, salt, and pepper. Add marinated chicken pieces, and stir to coat

Heat the oil in a large skillet over medium heat. Place chicken in skillet, and brown on both sides. Remove to paper towels.

Wipe out the skillet, and add the sauce. Bring to a boil over medium-high heat. Mix together cornstarch and 2 tablespoons water, and stir into sauce. Reduce heat to medium low; stir in chicken pieces, and simmer about 5 minutes, stirring occasionally.

Serve over Fried Rice or steamed white Rice. Slivered almonds make a nice garnish.

Chicken Flautas

4 chicken breasts; boneless & skinless

2 red onions

garlic powder

3-4 cups shredded mozzarella and provolone

30 corn tortillas

vegetable oil

salt & pepper to taste

Put the chicken in a pot of water and bring it to a boil. Lower the heat and simmer for 15-20 minutes, or until the chicken is cooked. Remove the chicken from the pot and shred it.

Dice the onions and add them to a pan of heated oil. Add several shakes of garlic powder. Sauté on low heat until onion is soft, but not browned. Add the shredded chicken, season with salt and pepper. Remove the pan from the stove and add most of the cheese. Mix well.

Soften corn tortillas in the microwave for about 30 seconds. Heat frying oil in a pan. Place chicken mixture in each tortilla, roll it up tightly and secure it with a toothpick. Immediately place flautas in oil, so the tortillas do not crack. Turn the flautas frequently, cooking until they are golden brown and the chicken on the edges are browned.

Serve with a dollop of sour cream, a drizzle of medium salsa, and a sprinkling of cheese on top. Red rice and refried beans with chips and guacamole would make nice sides.

Chris, Griffeth and I made these last night to celebrate the end of finals--we ended up serving chicken flautas to 2 other apartments. They were a big hit. I think we will have to make this a bimonthly occurrence.

Monday, November 21, 2011

Great Works Analysis of the Pieta





Hey Mary Beth! I just finished my first draft of this analysis, and I know you said you were interested in seeing it... so here it is! ...Keep in mind, I said rough draft...I'll look over it later, I'm sick of writing it right now. :)

Great Work: Pieta

Brief Synopsis: The Pieta was created between 1497 and 1500 by Michelangelo Buonarroti , before he was 25 years old (Michelangelo Sculptures). The sculpture portrays Mary with Jesus in her arms, sitting on the rock of Golgotha after the crucifixion. It is currently housed in St. Peter's Basilica in Vatican City. The statue was commissioned for the French cardinal Jean de Billheres’s funeral monument. It is made of marble, and measures 174 cm by 195 cm. It is the only work he ever signed. When he displayed the work, Michelangelo overheard someone say that it was the work of another sculptor, Cristoforo Solari (Kilby). He returned that evening, and angrily carved into Mary’s sash, “Michelangelo Buonarroti, Florentine, made this” (The Divine Michelangelo). He later regretted his pride, and swore to never again sign a work (Michelangelo Sculptures).

Historical Significance of the Great Work: Michelangelo sculpted the Pieta during the Renaissance, contributing significantly to the movement. It balances the Renaissance ideals of classical beauty with naturalism, and is one of the most highly finished works of Michelangelo (Michelangelo’s Pieta). At the time, Michelangelo’s sculpture of Mary with the dead Christ was a unique addition to Italian sculpture, though there were some painted depictions in Florentine art. Northern art, however, held a tradition of sculpted pietas, especially in Poland, Germany, and France (The Divine Michelangelo). Other artists at this time portrayed Mary as an older woman, but Michelangelo carved a young Mary. Michelangelo said he was thinking of his own mother’s face; he was five years old when she died (Guide to St. Peters Basilica). Mary’s face is one of eternal youth, which symbolized to the sculptor incorruptible purity. Michelangelo told Ascanio Condivi, his fellow sculptor and biographer, “Do you not know that chaste women stay fresh much more than those who are not chaste? How much more in the case of the Virgin, who had never experienced the least lascivious desire that might change her body” (Linda). Since Michelangelo’s depiction of a young Mary, many artists have followed him in representing Mary as a young woman.

The renaissance was a time of exploration in science, literature, art, and the world. It was during the renaissance that America was discovered, in 1492. Other well-known artists during this time are Donatello, da Vinci, Botticelli, and Raphael. Galileo and Copernicus were exploring Science during the renaissance, while Christopher Columbus, Amerigo, Sir Francis Drake, Cortes, Magellan, and Balboa explored the new world. Prominent literary figures include Machiavelli, Shakespeare, and Bacon (Poole).

Analysis of Great Work: Michelangelo successfully created the facial expressions and bodily form of Mary and Jesus in order to focus the sculpture on the triumph of Christ’s atonement, instead of the sorrow of his death. “On the face of the Christ are absents signs of the Passion” (Pieta by Michelangelo). Unlike most artists of the time, Michelangelo did not want to sculpt a face for Christ that showed his pain and suffering. He chose instead to give him a serene, calm face. The Christ in this sculpture consequently is not a symbol of death and sorrow, but of hope for mankind, gained through sacrifice.

The marks on Christ’s hands and feet are very small, with a clean mark on his side from the spear. Michelangelo chose to carve these marks in a fashion that would not draw focus from the faces of Mary and Jesus. In making the marks smaller, he chose to deemphasize the death of Christ. Instead, the face of Christ stands “as a testimony of the communion between man and God sanctified with the sacrifice of the Saver” (Pieta by Michelangelo). In sculpting a Christ figure with a serene face and minimal body damage, Michelangelo sends a strong message to the viewer that the atonement is a blessing to mankind. He did not want to focus on the pain and misery the Savior experienced, but on his success in providing a way for men and God to be reunited.

Mary’s face is also different from the way many artists chose to portray her at the time. Michelangelo sculpted her face to appear young, a symbol of incorruptible and eternal beauty (Michelangelo’s Pieta). In choosing to sculpt a young Mary, Michelangelo highlighted the triumph of the Son over age and death, which he extends to all who live righteously. The youth of Mary also minimizes the sorrow expressed in her face—she is not worn down with care and age. Many people believe that the Mary is supposed to represent the entire human race. This adds more meaning to Michelangelo’s choice to carve her as a young woman. In doing so, he is suggesting that we do not have to mourn for Christ—he has succeeded, given us the chance to return to God. We, too, can grow young again, free from the sorrows of sin, through the blood of Christ.

Michelangelo also chose to give Mary an expression devoid of passion. “It is…interesting that instead of exhibiting extreme grief, Mary is very restrained” (Michelangelo Sculptures). Her face is calm, as if she has accepted the death of her son. This artistic choice again draws attention away from the death of Christ, and focuses on the good news: that he has triumphed over sin, and offers to us the ability to repent and be reconciled to God. Mary’s face suggests that she is aware of the success of her son in accomplishing this great work. Michelangelo’s depiction of Mary as a young, serene mother emphasizes the victory of Christ.

The choices Michelangelo made in sculpting the Pieta were unique to his time, in that he gave both Mary and Jesus peaceful expressions, drawing attention to the success of the atonement instead of the sorrow of Christ’s death. His decision to minimize the wounds in Christ’s body and to give Mary a young face added to the focus on Christ’s triumph over death and pain. Michelangelo successfully created a Pieta that sends a message of hope for mankind.

Personal Response to the Great Work: I absolutely love this sculpture by Michelangelo, and I really want to get a mini one for my desk. A lot of art surrounding the atonement makes me feel so guilty for my sins, and so sad about what Christ had to go through for me—but this sculpture makes me feel hopeful. Christ is dead, but his work is done, and his face shows no more pain. The peace on Mary’s face seems to suggest to me that I can find peace and rest with Christ; he has paid the price for me, and I can return to God because of him. Michelangelo did a spectacular job at balancing the reality of Christ’s death with the success of the atonement in lifting the burden of sin from man. Though Christ’s body lies in Mary’s arms, Michelangelo’s work evokes in me hope, not sorrow, for the future.

Works Cited

“Guide to St. Peters Bascilica.” Chapel of the Pieta. Stpetersbascilica.org. Web. 21 Nov. 2011.

Kilby, Peter. “Michelangelo’s Pieta.” Rome.info. Rome Info, 21 Nov. 2011. Web. 21 Nov. 2011.

Linda. “Michelangelo-Pieta.” TerminArtors. Terminartors.com, 12 Mar. 2008. Web. 21 Nov. 2011.

“Michelangelo Sculptures.” Michelangelo Gallery. Studio of the South. Web. 21 Nov. 2011.

“Michelangelo’s Pieta.” Michelangelo. Moodbook. Web. 22 Nov. 2011.

“Pieta by Michelangelo.” RomaViva.com. Web. 22 Nov. 2011.

Poole, Steve. “Renaissance Period- A.D. 1400-1600.” The Classical Score. Classicalscore.com, 14 Feb. 2009. Web. 21 Nov. 2011.

“The Divine Michelangelo – Overview of Michelangelo's Major Artworks". BBC Press Office. BBC. Web. 22 Nov. 2011.

Sunday, November 13, 2011

Doccumentation of Date Night!!

K, really fast--yesterday was Veteran's day, or as soldiers who are not yet veterans call it, "Kiss a Soldier Day" ...I made Chris an awesome card. It had a picture taped inside of me as a little girl glaring, and it said, "Dear Chris, this is my sad face. When I see you, it goes away. That is because you make me happy. I am proud of you and your desire to serve your country. Love, Rosalind" ...we celebrated by going to the dollar theater to watch Cowboys and Aliens, and going on a walk. It was super fun except for the part where one of the girls in our group got her fingers shut in the car door. Chris made a splint out of a tongue depressor and taped up her fingers, but they looked pretty bad. I don't think they are broken, but I wouldn't be surprised if the bones were badly bruised or even fractured. We took her home and got her some ibuprofen and ice, and left her with her roommates to watch Jayne Eyre. Chris and I went back to his apartment to make cinnamon banana muffins. Pretty sure cooking and going on walks are our favorite things to do together :)

Today was such a fun date night. Chris and I made Chicken Tikka Masala, except we were missing a few ingredients so there was a bit of improvisation. Since we didn't have half of the spices, we doubled what we did have so it would still have lots of flavor. Ex: 1 garlic clove=3 garlic cloves, 1 jalapeno= 2 jalapenos, ect. ...and just in case, we threw in a TON of red pepper flakes, Chris' all-time favorite ingredient. It turned out very good and VERY spicy. I think my mouth will take some time to heal. Anyway, it was yummy and my
roommates like it a lot. While we were waiting for the chicken to marinate, we decided to make gingerbread cookies from the mix mom and dad sent. We cut a few with the cutter, but it was a lot more fun to make our own shapes. Kieren and Rosie joined us here...Kieren made a unicorn, Rosie stuck with flowers. And Chris and I created Dr. Seuss characters. Can you guess this one? It is the Lorax, on top of a Truffala tree! I made the tree, and Chris made the Lorax. The cookies were delicious, thanks Mom!! ...We also watched Silverado. I was craving a good western after watching Cowboys and Aliens last night--which seriously scared me to death. I jumped every time those aliens appeared. They freaked me out. Anyway, it was fun to watch Silverado (Thank you netflix!!) and eat cookies. Oh, and we had another adventure while things were cooking... My generous English teacher has decided to give me an extension. For a price. I had to write a 2-page list of things I was willing to do for an extension, take it to class for her to read, and allow her to choose 7 things from the list. For every day I turn in the paper late, I have to perform one of the tasks she chose. And, since she needs physical evidence I really did them all, I have to make videos documenting my adventures. Chris enthusiastically volunteered to commentate and film for me, and today we performed task #1: Sticking my foot in the toilet and flushing it. Chris had the bright idea to post the video on youtube, I don't have to bring my teacher a DVD...so if you want to see it, click on this: http://www.youtube.com/watch?v=r7wy01IJ9bQ
Anyway, after all of this excitement, Chris left around 12, and I spent an hour writing and editing my personal narrative (see below!!) Now it's around 3 a.m., and I am going to get some sleep. I have church tomorrow, and Chris, Danny, Tim and I are going to Chris' Aunt's house for Sunday Dinner. Woot!!

Swearing In Stresses

Okay, so I'm really bad at posting frequently, but in my H Writing 150 class I've been doing a lot of fun writing. Our assignment for this week: write a 7-page personal narrative about a moment of internal change. I wrote mine about when I realized I was okay with Chris being in the military. Anyway, I haven't turned it in yet, so if you have any ideas about editing or improving this I would appreciate it...I've never written a personal narrative before...my first draft, I didn't even know we were supposed to have dialogue. It was basically a reflection of "Things I've realized in my life" ...not too good. ;) Oh, and I've also realized if I put up pictures my blog will be more fun, so I'll work on that too. I recently found out that I don't need a cord to upload photos, I can just stick my memory card in my laptop and access them right away!! YAYY!! ...K, so back to my personal narrative:

I hate mornings. Mornings are the culmination of every kind of inconvenience. Sometimes I just stay in bed until morning goes away. But today, I drag myself out of bed on time so I can make myself pretty. I fry my hair into submission and fix my face with makeup, hurrying because Chris is always a little early. When he arrives, I’m ready.

“Hey you,” he greets me when I open the door. He grins, and I smile weakly back. “Ready to go meet my pa?” I cover my face with my hands in fear that is only half pretend.

“Aaaaa….I barely survived the morning, give me a chance to recover!” Chris laughs and takes my hand as we walk down the stairs together. He glances up at me, his face distracted. “What?” I ask.

“You look pretty.” He smirks a little bit, satisfied with his smooth compliment. I roll my eyes and say sarcastically,

“You look pretty, too.”

“Woah, hey now!” he exclaims, mock offended. “I thought we discussed this!”

“Sorry—you look very dashing,” I correct myself. He grins as he unlocks the car door, opening it for me. I slide in.

“Watch your skirt,” he calls as he closes the door.

The drive to Salt Lake City is about 45 minutes, but traffic around the airport is ridiculous on Saturdays. We arrive half an hour later than planned. As we pull up, I see a big, tall man in an army uniform sling his bag onto his shoulder and step up to the curb. ‘That must be The Rick,’ I think, half scared, half amused. ‘He’s not intimidating or anything.’

The Rick climbs into the car and we drive off, headed for the Air Force Base. ‘He is friendly,’ I think, ‘but that could just be to lull me into a false sense of security before he pounces.’ My hands are shaking, and I feel like a frightened rabbit.

The Rick tells stories about his army buddies and laughs with his belly. He’s a down-to-earth, common sense kind of guy. The kind of person you want to like you, the kind of guy you want on your side—especially since he is the father of your boyfriend. And has guns. My voice sounds squeaky in comparison with his deep one. Not that I’m talking much. My vocabulary has dwindled down to “yes” and “no” within the space of one car ride.

We pull up to security at the entrance of the base. Chris and The Rick hand their military identification to the guard. Boy, does my driver’s license make me feel like a wimpy civilian.

“So, are we swearing you in first, or meeting with the colonel about the contract?” asks The Rick.

“Contract, I believe.”

“All right then.”

Everyone on base is in uniform…except for Chris and me. I quietly thank God that I decided to wear a skirt instead of jeans. The first building we go to seems like an administrative one…lots of pictures of important people in uniform, lots of flags. We walk up the stairs and into some guy’s office.

For what seems like hours, this guy talks at us about the GI Bill, the Kicker, and different benefits Chris will get from his contract. Basically, Chris signs away 6 years of his life, and they pay him to do whatever they want. After a long, long time spent talking about the terms and agreements, Chris signs the contract and we leave the building to meet with his recruiter.

Who absolutely freaks me out.

“Hello, are you the girlfriend?” She smiles at me. Her office is a weird combination of decorations that absolutely scream the words ‘mom,’ ‘soldier,’ and ‘fluffy.’

“I’m Rosalind,” I say, not sure how to answer. ‘The girlfriend’ isn’t a name I’m accustomed to responding to.

“Nice to meet you, Rosalind. And you must be Dad…”

I am completely confused by this woman. She reminds me so much of my middle school teachers that told us to ‘take this slip home and have Mom and Dad sign it.’ I have a hard time reconciling this awkward motherly type of woman with the uniform she is wearing.

She leads us into a big room, and a few soldiers start trickling in for the ceremony. Someone with a loudspeaker makes an announcement that there will be an enlistment in the assembly hall, and suddenly the room is full of big, tall, intimidating people in uniforms.

I stand near the front, and to the side, clutching a camera. I feel slightly less useless with it, since it makes me look like I have a reason for being there. The room quiets, and Chris and The Rick stand in front of the American flag. The Rick gives a speech about the military and how proud he is that his son has chosen to follow in his footsteps, adding,

“I told him, if he ever joins the military, to go for the air force—I love the army and I’ve served my years, but we in the army don’t get the benefits the air force does.” The audience laughs appreciatively. He looks at Chris and says, “I’m proud of my son. He’s the only one of my 5 kids would ever make a good soldier, and I’m proud of him for joining.” Chris looks down, smiling slightly. I am touched by the tenderness in this man’s voice, and my fear of him recedes slightly. His father adds, “My other sons are hopeless.” Again, the crowd laughs, but they quiet quickly as Chris and his dad raise their right hands to the square. Rick speaks first, and Chris repeats after him.

“I, Christopher Burns, do solemnly swear that I will support and defend the Constitution of the United States against all enemies, foreign and domestic; that I will bear true faith and allegiance to the same; and that I will obey the orders of the President of the United States and the orders of the officers appointed over me, according to regulations and the Uniform Code of Military Justice. So help me God.”

I take pictures of them during the oath, and of them shaking hands after. I feel a flutter of pride in my chest, watching Chris. He looks at me, and I smile at him. He walks to me and hugs me. I laugh and whisper in his ear, “Congratulations.” He smiles back, and turns to shake the hands of all of the soldiers crowding around to wish him well.

“Could I speak with you for a minute?” I turn to see Chris’ recruiter at my side.

“Yeah, sure—what…?” I am surprised and a little confused as she leads me out of the assembly room and into the hall.

She stands facing the wall, looking at photographs of air force units hung there. She motions me over to stand next to her. I join her in staring at the uniformed men framed on the wall. They all look so young—and so serious. ‘What a burden,’ I think to myself, ‘Carrying the safety of a country on in your two hands.’ She is quiet for a moment, perhaps to create a dramatic effect, because then she says,

“They kill people, you know.”

I turn my head to stare at her, and she continues,

“It’s the military.”

I am stunned. Does she think I thought they played paintball with those guns? I don’t know how to respond. This isn’t really a conversation I planned on having—with anyone, least of all a recruiter I met 20 minutes ago.

“Some of these men get killed by people. Others do the killing. Some do both. Are you okay with that? Can you handle that?”

I realize she expects me to respond, and manage to stutter, “I—uh—yeah?”

She looks me in the eye and says, “It is a big commitment, and it’s hard, loving someone in the military.” I stare at her, shocked. She smiles at me and says, “Oh, and if you are interested in joining, I can help you negotiate a contract.”

“I—no—got a major. In college. I like college.” I try to pull out something intelligible from my jumbled thoughts. “Thank you for the offer, but I think I’m…I’m really good.”

She smiles again, then turns abruptly and walks away. I stand frozen for a minute, feeling like I just had hard truth smashed into my face. ‘Am I really okay with this?’ I wonder. I remember Chris’ earnest face, telling me about how much he loves his country and wants to serve and protect it. ‘Do I really support him in this cause? Can I love a soldier?’ I think of the life I live, of my freedoms and privileges, won for me by others who had the guts to fight for their land and their families…and now Chris is one of them. I search my heart for uncertainty, but it had gone. ‘I truly am proud of him,’ I realize, ‘and I want to be with him. He is a great man.’ I feel peaceful, sure. I glance again at the photos of men I owe my safety and freedom to. ‘I am glad that Chris is one of them. I wouldn’t change that, even if I could.’ Then, remembering I have feet and I am free to use them, I walk hurriedly back into the assembly hall. Chris is there, looking around for me. I join him and his dad, who is talking to another officer.

“Where did you go?” He whispers.

“Your recruiter wanted to talk to me,” I respond.

“Oh no…” He looks at me more closely. I roll my eyes and laugh.

“It was fine.” I say, honestly. Chris looks relieved. I couldn’t resist adding, “She just says you like to kill people, but I’m okay with that.” His eyes widen in surprise. We stifle our laughter and wait until everyone is through talking.

As we walk back to the car, Chris takes my hand. I squeeze it back, smiling a little to myself. The world stops spinning, and the future that was once blurred and confused comes into focus.